Photo-triptych; 40 × 30 cm (each);
Photographic paper, digital print;
Frame: polystyrene, acrylic.
This triptych is a story about the dynamics of the relationship between humans and the natural element.In the first scene — a heap of dead fish, carefully laid out among lemons. The image emphasizes the paradox of consumption: the fish, once freely living in water, has now turned into a commodity. It is a view of the human as an exploiter, perceiving nature solely as a resource.The second part of the triptych — a couple in the water. A woman with floaties, clearly unable to swim, clings to the element, while the man confidently stays in the water. This is a metaphor for the human attempt to “master” the natural force, to learn to coexist with it — but there is also irony in this scene: civilization seems clumsy in its attempt to tame the element, and safety is only an illusion.The third scene is a moment of liberation. Women lie on the shore, and a child runs out of the sea, meeting the world with joy. Here, nature is no longer an enemy or a resource, but a space for life, where the human can be a part of it, not its master.